Iman Keaik: Creating Inclusive Spaces in Canary Wharf

Graduating from the University of Westminster, Iman Keaik holds a postgraduate degree in Architecture. With more than a year of experience working with SSH Design on the prestigious National Bank of Kuwait project designed by the renowned Foster & Partners, Iman has developed a keen understanding of architectural design principles and urban planning. This experience has provided a strong foundation for her thesis project, which aims to address critical issues of inclusivity within urban spaces.

The concept of inclusivity in architecture is becoming increasingly significant as urban areas evolve. Cities like Canary Wharf, while known for their economic contributions, often inadvertently contribute to social isolation and disengagement. By focusing on inclusive design, architects can create environments that cater to the needs of all citizens, regardless of their background or ability. Iman’s thesis embodies this ethos, presenting a forward-thinking approach to urban architecture that prioritises human connection and accessibility.

Iman Keaik’s Vision for Inclusive Design

Consideration of the local context is crucial in creating inclusive spaces. In Canary Wharf, the predominance of corporate buildings often leads to a sterile environment that lacks warmth and community spirit. Iman’s approach encourages the integration of green spaces, art installations, and community areas within the urban fabric. For instance, public art could be incorporated into the ‘Social Carpet’ design, engaging local artists and celebrating the cultural diversity of the area. These enhancements not only beautify the environment but also invite interaction and dialogue among residents and visitors alike.

Iman’s work also highlights the importance of accommodating various modes of interaction. The ‘Social Carpet’ could facilitate events such as workshops, yoga classes, and community meetings, transforming public spaces into dynamic venues for social exchange. By enabling these activities, the carpet serves as a catalyst for community building, enhancing the social fabric of Canary Wharf. Additionally, considering the needs of diverse populations, such as families, the elderly, and people with disabilities, is essential in her design process, ensuring that everyone can partake in the benefits of these inclusive spaces.

In her thesis project, Iman seeks to challenge the marginalisation and exclusion prevalent in urban environments, specifically focusing on Canary Wharf, an area known for its financial hub and modern architecture. The project explores innovative ways of recreating inclusive spaces within the city, proposing a concept called the ‘Social Carpet’. This idea envisions a flexible, multifunctional carpet that spreads across public areas in Canary Wharf, encouraging a slower pace of life amidst the bustling city. By introducing this ‘Social Carpet’, Iman aims to create a more welcoming environment that fosters connections among individuals from diverse backgrounds.

The potential of Iman’s thesis to influence urban design extends beyond Canary Wharf. As cities around the world grapple with issues of accessibility and community engagement, her principles of design can serve as a guiding framework for architects and urban planners. By advocating for inclusive practices, Iman contributes to a growing movement that seeks to reshape urban landscapes into spaces where everyone can thrive. Her work stands as a testament to the impact that thoughtful architectural design can have on fostering social connections and enhancing the quality of life in urban areas.

Much like a traditional carpet, when treated with respect and care, the ‘Social Carpet’ invites individuals to slow their rhythm of walking, promoting mindfulness and reflection. This space can be utilised for collective gatherings, providing a platform for community engagement and interaction. Sitting together on this carpet cultivates a sense of belonging and camaraderie, transforming the environment into a vibrant hub of social activity. Furthermore, as the carpet is flipped or rearranged, hidden stitches may be revealed, symbolising the rich tapestry of diverse communities residing within the city, often overlooked in the fast-paced urban landscape.

Iman’s project is available for viewing from September 2020. Her comprehensive portfolio, showcasing her innovative designs and architectural concepts, can be accessed here: https://lnkd.in/d77PUKT. This collection not only highlights her technical skills but also illustrates her commitment to creating spaces that promote inclusivity and community cohesion.